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This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation. Lucy Acton made her way towards Old Harbour Town by a lane that struck down off the road used by the coaches and post-chaises. This lane was broad and in places steep and rugged, with long spaces heavily flanked with tall and spacious trees. Elsewhere the low hedge revealed the sloping meadow or ploughed field whose margin where it sank low was defined against the blue water of the ocean. "What's gone?" asked his companions in a breath..

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Lucy, having sought in vain for any signs of Mr Lawrence or her father, or the Admiral on board the Minorca, ran to Captain Acton's cabin and tried to see the barque through his glass. Unfortunately she could not use both[Pg 444] hands; she needed one to keep her eye shut; therefore, when she balanced the glass upon the rail, the rolling of the schooner caused the object she tried to see to slide up and down in the lens like a toy monkey on a stick in the hands of a child. However, with her unhelped vision, she presently saw a something resembling the short stage which is slung over a ship's side for men to stand upon to paint, or do carpentry work, float from the deck of the barque to a certain elevation between the fore and main-yard-arms, where tackles or whips had been rigged; she then perceived this something slowly descend into the man-of-war's boat alongside, into which, immediately afterwards, some figures tumbled from the flight of steps at the gangway, and the boat made for the schooner. "If they are not British, sir," said the Admiral, after a prolonged squint through the glass, "I'll swallow my cocked hat when I get ashore." Some three miles east of the imaginary line which divided the Settlement from the outside world, on the Lake Shore road, stood a big frame house in a grove of tall walnut trees. It was the home of a man named Hinter—a man of mystery. Before it the lake flashed blue as a kingfisher's wing through the cedars; behind it swept a tangle of forest which gradually dwarfed into a stretch of swamp-willow and wild hazel-nut bushes, which in turn gave place to marshy bog-lands. It was two bells in the afternoon watch—one o'clock—at which hour the frigate and the schooner had closed each other. By this time the ship ahead had been raised to a full sight of her hull. But long before this she had been made out as the Minorca, by that unmistakable signal of her character—the fore-and-aft canvas on her mizzen- and top-masts. The breeze was steady. All three ships heeled to it. The frigate foamed bending under studding sails, the schooner under all the canvas she could set, and the barque leaned under the heavy strain of every cloth she carried..